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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    Includes bonus Artwork by Frenchy, plus photographs from the recording session in Amsterdam.
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      $7 USD  or more

     

1.
That Old Man 06:14
2.
Humphf 06:57
"humphf" for big red they say monk couldn't play the music. they say, monk, he limited by his own vision & just can't play right. monk, he too weird. his music don't sound right, and he gets up & dances while he's playing, like a jackleg preacher at a revival meeting in an old tent in north Carolina. they say monk sound too much like a whorehouse piano player from some pre-harlem ghetto stuffed with back-woods renegades & sporting women & gamblers, street-level intellectuals. they say monk, what is that shit you trying to play, you just can't do it that way, you too way out baby, that stuff ain't you. & monk in his infinite knowledge & wisdom, shoots a grin from behind the piano, wiggles his ass on the stool, lays down another few bars of utter genius, turns it over to the tenor player & rises to dance beside the piano, some more of that old north carolina boogaloo —oak park, mi may 30, 1984.
3.
Soul Eyes 02:46
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about

Even though he is an expatriate, John Sinclair should be declared a national treasure. He’s a poet, historian and musicologist who, instead of publishing his research and findings, declaims them in the oral tradition with music. His latest works revisits themes he has worked with before and also adds several new poems and interpretations to his work.

Let’s Go Get ‘Em features odes to friends and loved ones, whether it is remembering an evening with a lover who whistles Charles Mingus’ “Moanin’” or professing thanks and love to another with a reference to the Beatles’ “When I’m Sixty-Four.” There are also several political pieces here, including his reworking of Venezuelan President Hugo Chavez’ United Nations’ speech “Smells like Sulfur.” The music has a great groove that simmers and occasionally boils over, whether in the acid rock taste of “Scuse Me While I Kiss the Sky” or the deep mellow spice of his dedication to Mardi Gras Indians, “We Love Big Chief.”

--David Kunian (WWOZ, Offbeat)

credits

released November 1, 2020

John Sinclair: Vocals (Words by David Sinclair: Pontiac Speech to the White Man) Leslie Lopez: Bass, Vicente Pino: Guitar, Tom Worrel: Keys, Steven "The Fly" Pratt: drums.

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John Sinclair

Foundation Records--21 (2020)

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John Sinclair Detroit, Michigan

"Sinclair is an iconic figure of ‘60s counterculture, famous for, among other things, having co-founded the anti-racist White Panther Party"

daily.bandcamp.com/features/beatnik-youth-interview

"John has taken the Blues, many Blues, many Blues singers, their words, their feeling, their lives, their conditions, the places and traces of where they was and is.

--Amiri Baraka.
... more

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