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Mohawk + bonus items

by John Sinclair

/
  • Compact Disc (CD) + Digital Album

    John, has been described as an Archetype of the 1960's art, music and literary synthesis, and who today, is still kicking with both feet on his trajectory for cultural transformation. His new record features ten tracks from his book of verse: always know: a book of monk. Twenty poems planted firmly in a single-shot session, and carefully trimmed down to ten exhibits for this album. Beatnik poems, great odes and personal reflections of the Be-Bop jazz persuasion, all flowering together.

    First conceived of in Detroit City, spring 1982, and developed throughout the 1980s with streaks of fresh edits leading right up to the session itself, John navigates some of these texts for the first time in over twenty years, free-styling his energized sincerity and attention to every word, transforming the text on the page into his unique unmistakable spoken word.

    The music was written and arranged by Steve Fly who mirrored John’s poems in the music by initially combing the tempo of the original songs recorded by John ‘Dizzy’ Gillespie, Charlie ‘Bird’ Parker and Thelonious Monk.

    Steve The Fly is a native of Stourbridge, England now an Amsterdam resident who plays drums, spins vinyl, writes novels and literary and cultural commentary. He also maintains a flock of websites and works in various other art forms without visible restraint. His other music projects have included New Flesh, Garaj Mahal, Temple Dragon band, of course he is now full time with John Sinclair.

    These songs are further utilized by John's poetic method so that each title and the rhythm of his poetry can piggy-back upon the same song title, and rhythm, of an original composition set in history, for extra rooting. Steve put down drums, turntables, cello-bass, flute, and glockenspiel, shooting to play around the vocal lead lines and diverse expressions from John.

    The album was recorded diligently by Tim Egmond at Ei Studios, Amsterdam and passed along to Simon Reeves at Framework Studios, Birmingham for mastering.

    Tim Egmond is a music producer, engineer and studio whizz, based in Amsterdam, who has worked with scores of international and locally based artists on a wide variety of projects.

    Simon Reeves has completed many projects for Iron Man Records already and he has been described as one of Birmingham's finest independent studio engineers who has worked with bands from Napalm Death to Police Bastard, and a host of other brutal metal and punk bands.

    All artwork was cradled and visualized by the post-industrial imagination of CHU an ardent advocate of aerosol painting and its vanguard for over 30 years with global public works and murals, 3D perspective illusions and many group shows, under his Walsall leather belt. CHU's work has included projects with Banksy and Jamie Hewlett among many others, and he has been described as the ‘Escher of UK street art’ and founder of Graffiti Bastards.

    The album is to be released by Birmingham based Iron Man Records whose releases have included The Nightingales, Howard Marks, P.A.I.N (Propaganda And Information Network), and Police Bastard, amongst others.

    The album is beautifully packaged in a double gatefold cd wallet with artwork by CHU in full colour and a ten page booklet. John Sinclair will be appearing in 2014 in England, Netherlands, U.S.A and Germany to promote the new album. Mohawk illustrates the kind of care and attention a John Sinclair record deserves. After all, he kinda helped start this underground art explosion.

    Amiri Baraka (1934-2014) Poet, Playwright, Activist. Baraka was a leading force in the black arts movement of the 1960s and 1970s. In 1963 he published "Blues People: Negro Music in White America," known as the first major history of black music to be written by an African American. A year later he published a collection of poetry titled "The Dead Lecturer" and won an Obie Award for his play, "Dutchman." After the assassination of Malcolm X in 1965 he moved to Harlem and founded the Black Arts Repertory Theater. In the late 1960s, Baraka moved back to his hometown of Newark and began focusing more on political organizing, prompting the FBI to identify him as "the person who will probably emerge as the leader of the pan-African movement in the United States." Baraka continued writing and performing poetry up until his hospitalization late last year, leaving behind a body of work that greatly influenced a younger generation of hip-hop artists and slam poets. Track 5 on John Sinclair - Mohawk is called "Bloomdido" and is dedicated to Amiri Baraka. Rest in Peace. The work continues.

    Includes unlimited streaming of Mohawk + bonus items via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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      £1 GBP or more 

     

  • Streaming + Download

    Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app.

    Featuring exclusive instrumentals and 2 bonus tracks featuring bass by Kai Eckhardt. Original sleeve artwork, booklet, poster and video by Chu. Album review clippings, plus "bloomdido" broadsheet, originally published by 48th Street Press, Venezuela.
    Purchasable with gift card

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Mohawk 02:50 video
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Leapfrog 01:33
#25 "leap frog" for steve cannon over the top of everything that's come before, & then hunched down for the future to vault over your back, lest we forget that these are young men, playful yet deep with intelligence, bursting with the joy of discovery & their unparalleled virtuosity, beautifully seasoned in the history & practice of their music & sure enough determined to move the music forward— leap frog, leap frog, bird & monk & dizzy in the days before the second world war —north rampart street new orleans december 10, 1996
4.
#26 “relaxin’ with lee” for andrew jones, larry hayden & henk botwinik mr. lee bridges was around for a very long time & never a square, he lived 77 years & carried himself so humbly all over the world in his infinite hipness, never at a loss for a way to make it through whatever troubles might present themselves & come out on top with his dignity intact, & his splendid wardrobe & his beautiful smile, always revealing the radiant warmth of his personality & hustling his little books of poetry & his memoirs & his heartfelt performances, relaxed & at home wherever he went with his hundreds of friends who loved him so madly, mr. lee bridges was just about the sweetest man you would ever want to meet, from the ’40s & ’50s when he followed the music from detroit to new york city & all the high points in between, smoking reefers with king pleasure & hanging out with all the cats on the scene, then making his way across the ocean in the early ’60s, smuggling hashish from morocco & the orient to paris & amsterdam & reading his poems in the streets & the coffeeshops & cafes, mr.. lee bridges, the cannabis poet, a great American & an exemplary human being who graced our lives with love like no one else on earth & lives now forever in our hearts —detroit april 2005/ rochester ny january 18, 2007
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Bloomdido 02:08
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Eronel 02:07
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#24 “my melancholy baby” for stevenson palfi in the awful aftermath of hurricane katrina, amid the wreckage of his city, his neighborhood, his home, his painstaking work & his life itself, looking forward to nothing but increasing pain & suffering beyond measure as far as he could see, the relentless public indifference to the fruits of his labors, the bitter impossibility of completing his allen toussaint film already 15 years in the making, songwriter: unknown, pieced together in fits & starts, when he could wheedle enough bread for a shoot or get a print made or edit something together so he could see it—money he had to beg for from people at arts agencies who couldn’t stand him & tried to ruin his life, or people who dug his work but never gave him enough cash to make it all happen the way it was supposed to, this beautiful cat with a big heart & huge imagination, & a mind that never stopped working, the creator of “piano players rarely ever play together” starring professor longhair & tuts washington & the great toussaint, documenter of emmanuel sayles & papa john creach & jabbo “junebug” jones, employer of my daughter celia & treasured friend & accomplice ever since that day in 1982 when me & harry duncans banged on his front door on banks street & begged him to let us see “piano players” & he showed it to us— & that’s the way i’ll remember him, a guy who gave & gave of what he had, smiling through the pain that wracked his body & his heart, in love with his work & his daughter nell & the music we all love— always & forever, brother stevenson palfi, always in love with the music —st. philip st, new orleans december 30, 2005 > february 22, 2006 rochester ny january 19, 2007
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#38 “carolina moon” for thelonious monk just so each day dawns again & everything is new all over— were it not for you, o great monk, & your magic ilk, it would stay the same way all the time, that big fat stinky moon just rotting in the sky —renaissance centerbus stop, detroit september 27, 1982
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about

John, has been described as an Archetype of the 1960's art, music and literary synthesis, and who today, is still kicking with both feet on his trajectory for cultural transformation. His new record features ten tracks from his book of verse: always know: a book of monk. Twenty poems planted firmly in a single-shot session, and carefully trimmed down to ten exhibits for this album. Beatnik poems, great odes and personal reflections of the Be-Bop jazz persuasion, all flowering together.

First conceived of in Detroit City, spring 1982, and developed throughout the 1980s with streaks of fresh edits leading right up to the session itself, John navigates some of these texts for the first time in over twenty years, free-styling his energized sincerity and attention to every word, transforming the text on the page into his unique unmistakable spoken word.

The music was written and arranged by Steve Fly who mirrored John’s poems in the music by matching the tempo of the original songs recorded by John ‘Dizzy’ Gillespie, Charlie ‘Bird’ Parker and Thelonious Monk.

Steve The Fly is a native of Stourbridge, England now an Amsterdam resident who plays drums, spins vinyl, writes novels and literary and cultural commentary. He also maintains a flock of websites and works in various other art forms without visible restraint. His other music projects have included New Flesh, Garaj Mahal, Dr Marshmallow Cubicle.

These songs are further utilized by John's poetic method so that each title and the rhythm of his poetry can piggy-back upon the same song title, and rhythm, of an original composition set in history, for extra rooting. Steve put down drums, turntables, cello-bass, flute, and glockenspiel, shooting to play around the vocal lead lines and diverse expressions from John.

Simon Reeves has completed many projects for Iron Man Records already and he has been described as one of Birmingham's finest independent studio engineers who has worked with bands from Napalm Death to Police Bastard, and a host of other brutal metal and punk bands.

All artwork was cradled and visualized by the post-industrial imagination of CHU an ardent advocate of aerosol painting and its vanguard for over 30 years with global public works and murals, 3D perspective illusions and many group shows, under his Walsall leather belt.

The album is to be released by Birmingham based Iron Man Records whose releases have included The Nightingales, Howard Marks, P.A.I.N (Propaganda And Information Network), and Police Bastard, amongst others.

Includes unlimited streaming of Mohawk via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

flyagaric23 @ gmail.com

credits

released November 4, 2014

ARTIST: John Sinclair
TITLE: Mohawk
LABEL: Iron Man Records
FORMAT: CD Double Gatefold Sleeve / Digital Release too
RELEASE DATE: 24th March 2014
FILE UNDER: Rock
Cat No: IMB6022

John Sinclair – “Mohawk” CD out now on Iron Man Records. Distribution by Cargo

John, has been described as an Archetype of the 1960's art, music and literary synthesis, and who today, is still kicking with both feet on his trajectory for cultural transformation. His new record features ten tracks from his book of verse: always know: a book of monk. Twenty poems planted firmly in a single-shot session, and carefully trimmed down to ten exhibits for this album. Beatnik poems, great odes and personal reflections of the Be-Bop jazz persuasion, all flowering together.

released September 25, 2016

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John Sinclair Detroit, Michigan

"Sinclair is an iconic figure of ‘60s counterculture, famous for, among other things, having co-founded the anti-racist White Panther Party"

daily.bandcamp.com/features/beatnik-youth-interview

"John has taken the Blues, many Blues, many Blues singers, their words, their feeling, their lives, their conditions, the places and traces of where they was and is.

--Amiri Baraka.
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