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"Sendin' The Vipers" Way back in the day when marijuana was something people smoked in Mexico or Mexicans brought with them to the United States & smoked quietly amongst themselves there were musicians in New Orleans & Los Angeles & Chicago who were introduced to weed by their Mexican friends & began to apply its magical properties to the shaping of the new music just then beginning to emerge from deep within the hearts & minds of a new generation of Americans born after the Emancipation of the slaves & on or around the turning of a new century propelled by electricity & charged with the promise of a wild new kind of individual freedom— Way back in the day when the music that would be called jazz first issued forth from the trumpets & drums of musicians in New Orleans who knew how to make people dance & took the music with them to Los Angeles in 1912 & Chicago a couple of years later & Joe "King" Oliver & his Creole Jazz Band came up from New Orleans to pack the cabarets & nightclubs of the South Side with the sound of jazz & set the tempo for the development of the music for everyone who followed them & in 1922 Joe Oliver called up Louis Armstrong to join him in Chicago & set the whole world on fire with their brilliant improvisations & the unbridled power of swing —November 1998
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about

Viper Madness (NCP128) Features the legendary John Sinclair doing 10 pieces on the period before Marijuana was illegal. Featuring stories and comments from Louie Armstrong and Mezz Mezzrow. John is backed up by the big horn sounds of RJ Spangler's Planet D Nonet, a big band and swing ensemble from Detroit!

released December 2, 2014

credits

released November 4, 2020

John Sinclair & Planet D Nonet.

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John Sinclair

Foundation Records--18 (2020)

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John Sinclair Detroit, Michigan

"Sinclair is an iconic figure of ‘60s counterculture, famous for, among other things, having co-founded the anti-racist White Panther Party"

daily.bandcamp.com/features/beatnik-youth-interview

"John has taken the Blues, many Blues, many Blues singers, their words, their feeling, their lives, their conditions, the places and traces of where they was and is.

--Amiri Baraka.
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